A Reading on Writers Radio

An exciting announcement -- I am going to be reading from my novel, The Age of Grandchildren, on Writers Radio. The program will air every hour on the hour from October 18 to 31. 

Hosts Carole Harmon and Ingrid Rose, and technical producer Gary Sills, are the creative minds behind Writers Radio. They host interviews and readings by all manner of writers, produce the programs, and air the them on their online radio, writersradio.ca. The writers' pieces are interspersed with selections of Gary's music.

My reading has been paired with a reading by friend and fellow writer, Gail Madjzoub. Although our novels are quite different in many ways, Gail and I both explore the experiences of young women coming of age in rigid societies, what it means to be seen as an outsider, and the personal costs of following an ethical path. Host Carole Harmon has titled our program Liberty's Children. 

Gail will read first, and here is how Carole introduces her book:

Gail Madjzoub

CRIMSON INK : A Novel of Modern Iran

1955-2011 

Based on historical facts, Crimson Ink traces the multi-generational interweaving of three Iranian families through decades of great social change and upheaval. The novel is grounded in Gail's knowledge and experience of living within an extended Iranian Baha'i family over the course of her twenty year marriage.

The setting of Gail's reading is in the city of Shiraz, Iran. It’s early Autumn of 1955. The country is gradually emerging from the throes of its most recent clergy-led pogrom against its largest religious minority, the Baha’is.

Six year old Fareshteh and her mother Farah set the stage for the turbulent events to come.

My reading rounds out the program. I read three brief excerpts from my speculative fiction novel, The Age of Grandchildren. This is how Carole describes my book: 

Judith Lapadat

THE AGE OF GRANDCHILDREN

Judith Lapadat's coming of age novel takes place in the imagined near future, in a world ravaged by climate change. Best friends Becca and Honor have grown up in an all-female collective sheltering beneath the ruins of a bombed university. 

Honor is a runner who carries trade packages to the wall surrounding their shelter, Becca is her watcher. Mother Stella is their group leader in this closed society. Judith's readings take place over a two day period which will awaken the girls to aspects of their world they have never suspected.

***

To tune in, go to writersradio.ca and click on the play button anytime between October 18 and October 31. If you don't have a chance to listen during this time frame, our program will be archived afterwards on the Writers Radio website as a podcast. If you would like to receive announcements of upcoming programs, you can also subscribe to Writers Radio. It's a great way to support this wonderful initiative.

 

 

Author Interview: Liesbet Collaert

Liesbet with Kali and Darwin

  Today I am happy to bring you an interview with the writer, Liesbet Collaert. Liesbet has recently published her travel memoir, Plunge. It is a fascinating account of ten years that she spent living on a sailboat and exploring parts of the world that most of us only dream of. 

 

Jude: 

 

You have spent most of your adult life travelling throughout the world, and you describe yourself as a nomad. In what ways is your nomadic life different from a typical western lifestyle?

 

Liesbet: 

 

The beauty of a typical western lifestyle, in my opinion, is the stability, comfort, and familiarity it offers. You know what to expect, you have neighbors/friends/family/ colleagues around, you easily find products in your grocery store, you have favorite restaurants, trails, outings, hobbies, and your planned activities usually work out.

 

Life on the road, or the water, as a nomad is insecure, unfamiliar, and rather challenging because of these reasons and others. Yet, the adventure and freedom make it worthwhile. My husband and I love that novel feeling of each new place, have learned to be flexible, and keep our expectations low or non-existent. We are self-contained, fix issues ourselves as much as possible, and don’t rely on people. We figure things out as they come and enjoy discovering unique locations, cultures, foods, …

 

Another big difference are the amenities everyone takes for granted: running water, unlimited electricity, reliable internet, a washer and a dryer. Each time I stay in a house of relatives, I embrace my hot, pressurized shower, the space in my room (I can walk more than one step before I bump into something), the fact that my computer can stay plugged in, and the real bed. If there’s a comfortable couch, I might never leave! 😊

 Jude: 

Your memoir, Plunge: One Woman’s Pursuit of a Life Less Ordinary, spans about a decade. Why did you focus your memoir on those ten years in particular?

Liesbet: 

That’s a great question, Jude! I knew so little about writing books that the first time I ever considered this project, I didn’t even know that my kind of story was called a memoir. One of the first things I learned about that genre is that it covers a “slice” of your life. I wanted that particular “slice” to have a definite beginning and end. It seemed most intuitive to start with how I met my now husband, Mark, a life-changing, somewhat crazy occurrence that led to a new adventure. And, I finish the memoir when that adventure ended. Coincidentally, this period encapsulated ten years: my tumultuous thirties. In the epilogue, I leave the door open to the next adventure…

 

Jude: 

 

Briefly, what is your book about?

 

Liesbet:  

 

Plunge encompasses the ups and downs of a life less ordinary in the tropics. The story is about a 30-year-old nomad who seeks adventure and freedom at sea, but finds herself at odds with love, work, immigration, weather, and health as she navigates the world and her relationship.

 

The book is written in a unique voice and seamlessly intertwines travelogue and introspective, so the reader is immersed into each new scene, physically as well as psychologically. The story takes place in the present tense to accommodate this effect and incorporates foreshadowing, flashbacks, and cliff hangers, like a novel.

 

Jude: 

 

In your book, you present an account of the nitty-gritty experiences of life aboard a sailboat, and well as a close-up view of your romantic relationship. Can you talk about the challenges of writing about such personal material?

 

Liesbet: 

 

Most people who know me (including you, Jude) are aware of my straightforwardness and urge to be myself. My memoir had to be a fair representation of this. The two major factors that define my personality and feelings are my lifestyle and my relationship. But, how do you pull the reader into these situations? How do you make them understand what you go through?

 

This is only possible by allowing them inside your head and by being totally (some call it “brutally”) honest. Therefore, I touch on the good and the bad in my relationship; the strengths and the flaws in my personality. While lots of memoir authors struggle to put those moments and factions down, it came easy to me. Maybe because I hope that – just like in real life – people will take me the way I am; true to myself and others, while sometimes being a bitch.

 

I also mention discriminating elements about my spouse. He knows this; he was the first one to read my book. He also knows about my desire to tell the truth. His reaction when others ask him about those parts in Plunge: “It all happened. I was a jerk sometimes.” While it might put some people off, this “raw honesty,” most readers have complimented me about my voice and the themes touched upon and, whether they admit it or not, they can relate to many of the situations.

 

Liesbet and Mark on their Catamaran

   

Jude: 

 

As a regular reader of your blog, Roaming About, I recall posts in which you mentioned the frustrations of combining a writer’s life with a nomadic lifestyle. Please describe some of the issues you faced on the boat, and now while travelling around in your camper van.

 

Liesbet: 

 

These issues pretty much boil down to those differences between a nomadic lifestyle and a typical western one, described above. While we have solar panels to provide electricity to my computer and we can usually go about five to six days on our fresh water tank, I am never as productive as I would be in a house or a room with unlimited electricity, reliable internet, and a desk.

 

Problems often occur, whether they are weather-, dog-, errand-, or camper-related. Distraction abounds. And there is the fact that I live together with a husband and 60-pound furry creature in an 80-square foot (7.5 m²) metal box on wheels. Even when we decide to “sit still” for a while so I can write, edit, or promote, I struggle with not being available to my family members and feel guilty about hogging our one table, stressing out, and not partaking in walks. Finding a balance between my work and our “leisurely” lifestyle is a goal for 2021.

  

Jude: 

 

What did you find were some of the pros and cons of self-publishing?

 

Liesbet: 

 

Self-publishing is hard work! You need to be determined, patient, focused, and dedicated to make it happen. The process is time consuming and frustrating, especially when you are new to all the different steps (and there are many). You also need to pay for professionals upfront, so it’s more expensive than going the traditional route. And, I still feel there is less prestige than when “having a publisher.”

 

However, there are many pros. The first one: pulling it off quickly. Sure, I focused 100% on getting Plunge published this year, but the actual time involvement from the moment I received my final cover design to holding a proof copy in my hands was two months. My husband was a big help and we did all this from the road. Another positive of being self-published is that you hold all the strings. Decisions are yours, you can make corrections easily, offer discounts, work hard on promotion – or not, and it’s a huge accomplishment!

  

Jude: 

 

I imagine that you plunged into learning a lot of new skills when you went the self-publishing route. Can you share one specific example of something you learned?

 

Liesbet: 

 

The formatting process! Who knew there were so many decisions to make? Font style and size, spacing between the lines and towards the edges, placement of the page numbers (top, bottom, left, right, middle), kind of section breaks, order of the photos, where to hyphenate words at the end of the line, how about the chapter titles and table of content?

 

Jude: 

 

One reason I love reading memoirs is the chance to absorb an inside perspective about another person’s life. Can you share an insight with readers that came to you about yourself, your life choices, or your relationship, as you reflected on this period of your life in the memoir?

 

Liesbet: 

 

Yes. Because I wrote Plunge in the present tense, I wanted to mentally transport myself back to my thirties. In doing so, I realized how spoiled I had been in my twenties – I basically did whatever I wanted – and how, during the course of this story, I “grew up.” My experiences aboard our 35ft catamaran Irie made me realize I don’t always get what I want, that there are two people in a relationship, and that adventure comes in many different forms.

 

Jude: 

 

Do you have a new writing project on the horizon?

 

Liesbet: 

 

I have many ideas, but have not started anything new yet.

  

Jude: 

 

Is there anything else you’d like to add?

 

Liesbet: 

 

I want to thank you for your thoughtful and insightful questions, Jude, and for featuring me here today. I hope your readers will get a chance to read Plunge and that it entertains, inspires, or affects them.

 

Liesbet and Jude in 2018

I'm pleased to feature this author interview here on Dr Sock Writes Here today. I initially met Liesbet through blogging, but in 2018 I had a chance to meet her and Mark in person when they came to Vancouver Island and stayed with us.

 

I greatly enjoyed reading Liesbet's book. It gave me an inside scoop on some of the joys and challenges of the sailing lifestyle, and reminded me of the many of the important life decisions One makes in the decade of their thirties.  

 

To read more about Liesbet’s adventures and her writing life or to purchase the book, click here:

 

For more info about Plunge:

https://www.roamingabout.com/about-plunge/

 

To buy on Amazon: www.amzn.com/B08NHP3NHC

 

Liesbet’s alternative lifestyle blog: www.roamingabout.com

 

Liesbet’s sailing blog (2007 – 2015): www.itsirie.com

 

Liesbet’s Amazon author page: https://www.amazon.com/Liesbet-Collaert/e/B073C9F8TW

 

 

 

 

 

 

 

 

Author Interview: Gail Madjzoub

Author Gail Madjzoub

Today, I am delighted to bring you an interview with the author, Gail Madjzoub. Gail is currently based on Vancouver Island in British Columbia, Canada, but she has spent her life living all over the world.  

Gail is a member of my writers' group. I had the opportunity to serve as a preliminary reader for her recently published novel, and was very pleased when Gail agreed to do an interview with me for Dr Sock Writes Here.

 

Jude: 

 

Your novel, Crimson Ink, spans a period of more than five decades in modern Iran. Tell us, briefly, what the novel is about.

 

Gail:

             

After the Islamic Revolution, Fereshteh, a woman doctor and a Baha'i, experiences along with her family and religious brethren far greater than usual persecution for their beliefs; they struggle to survive. Compassion for the countless others who also run afoul of the regime prompt her and her physician husband to treat those emerging from the torment of prison in the ‘80s and again following the chaotic aftermath of the 2009 election. 

 

Meanwhile, Fereshteh joins forces with others to help women enduring not only the regime’s oppression but also domestic abuse. Her work and her religion become the pretext for her imprisonment and worse. This has unintended consequences for other family members, yet there is resilience and there is hope.

 

Jude: 

 

The story is told from several points of view. As a writer, what strategies did you use to provide narrative structure and coherence, given the various points of view and long timeline?

 

Gail:

 

To help readers make sense of the large cast of characters from three different Iranian families (all with names unfamiliar to a Western reader), I created family trees, bolding the names of those who are important, especially whose point of view drive the story. At the end I added Glossaries and References.

 

To manage the long timeline I grouped chapters into “Books” that reflected eras: Pre-Revolution (1955-1978), Revolution (1979-1980), Post-Revolution (1989-1993), “2008”, and Reform (2009-2011). Within these I selected only significant years, months and seasons, showing each family separately but simultaneously up until 2008. Only during the final three years of the narrative do all three become inextricably intertwined; their interaction then drives the plot to its climax and resolution.

 

Jude: 

 

One of the themes in the novel that I found very interesting is the complexity of family. Could you talk about that?

 

Gail:

 

The main characters come from a large extended family split down their religious lines: a Muslim brother and a Baha'i sister. While the sister’s family embraces everyone, it’s only because of the brother’s love and loyalty to his sister, despite what he considers her religious ‘defection’, that he and his family tolerate hers. Sinister undercurrents, and secrets and betrayals born of fear carry grim consequences for many, some of which emerge only over decades.

 

In the second family, the one fair-minded son finds he can’t escape his family’s legacy. This and the Revolution tether him to a path that causes him to forget who he is.

 

The third family produces a son out of squalor, desperation and neglect. His eventual reconnection with his powerful cleric father gives him free reign for his yet undiscovered aberrant proclivities. His dealings with and marriage into the first family, and his professional relationship with the son from the second family complicate all relationships in unforeseen ways. 

Jude: 

 

Although your story is fictional, it speaks about real political and social events. What challenges did you face in meshing fact and fiction?

 

Gail:

 

Historical events created a solid framework for the story and details of these helped fill it in. It was actually easy for me to fit my fictional characters and their personal stories into this. They’re a mix: composites of real people whose stories I knew or read about, and purely fictional ones based on probable personality types likely to be found within such a narrative.

 

The real challenge was balancing my portrayals of characters and events. I didn’t want to get into the quagmire of politics and known personalities, nor did I want to reduce characters, politics, social justice and religion to simple black and white depiction. All are complex and I saw my task as providing nuance and opposing perspectives without becoming dogmatic. This took a great deal of time. Discussions with early readers helped me in this.

 

Jude: 

 

There are many routes to publishing. What approach did you take, and why?

Gail:

 

I researched all possibilities and had conversations with other writers. Then sat on the fence for a long time. Finally, after forays into the world of query letters, agents and publishers, consideration of the issues with publishing contracts, intellectual property rights, the long timelines, and possible frustrations of being at the mercy of other peoples’ demands and delays, I felt that self-publishing was the only route for this book. It had taken me many years to research, write and edit, and I wanted it to be published on my own terms and timeline.

 

Jude: 

 

Are you working on a writing project now? Can you say a few words about it? 

 

Gail:

 

 Yes. It’s a sequel to Crimson Ink. I’d thought I was done with the story, but in early 2020 I realised this wasn’t so. In light of current events my characters were agitating and telling me they had more to say. Iran has become increasingly harsh in its treatment of many of its citizens, particularly women and minorities. Social justice questions continue to loom large. In my sequel, at least, I can bring some resolution to a couple of the issues I addressed in Crimson Ink.

 

Jude: 

 

What advice do you have for writers, either about writing or publishing?

 

Gail:

 

You can write at any age. I’m a late bloomer, having started when I was 50. You simply must have passion and the courage to set words onto a page. And now, many years later I also know that you can learn about and navigate the publishing game. There’s a wealth of information and tools out there. You can learn new technology: how to use writer-specialised software, software for formatting a manuscript, the ins and outs of self-publishing, and social media as a marketing tool. If you want your book published, you will learn how to do it. 😊

 

Bio: Originally from the American East Coast, I lived & worked for more than 30 years in Europe and Africa & have traveled extensively.  After settling again in North America I began writing.  My professional background includes education, health care, life coaching & facilitation.

 

To follow Gail’s writing updates click here:

Website: https://www.gailmadjzoub.com

Instagram: Gail Madjzoub  

Facebook:  Gail Madjzoub, Author

Email:  gail@gailmadjzoub.com

The book is available on all Amazon sites.